It’s just seed cone I picked up walking the dog but it became an exercise in creativity and problem solving.
To start with I just wanted a clean simple image with limited sharpness, I used an A4 sketchpad as a background and an improvised light source using a big window with a diffuser blind plus an iPhone box that was laying around as a reflector to fill the shadows. My 30 year old Calcuflash incident meter read f4 at 1/60, 400 ISO so I went with that. It’s not too shabby.
All up that was ten minutes effort but then I reworked the setup to get a sharper image. I could have gone with a longer exposure and smaller aperture but did not want to dig the tripod out so instead I went for flash. Using a ring flash diffuser I was able to use f11 at 1/160 sec, 400 ISO to get this;
The sharpness is there but working so closely (within a hand width of the subject) the light is not getting to the top of the subject and a lot of detail is getting lost. The paper is also over exposed in the top left corner.
The ring flash diffuser is a recent eBay purchase best described as a cross between a donut, a folding soft-box light modifier and a small drum. It cost somewhere between 20-30 dollars and for that you get a small soft-box that is really portable.
Solving this required a simple compromise using both the daylight and flash. Here is the result using f11 1/125 sec, 400 ISO. I also got a little further back to allow the ring flash to do it’s job better. The result is sharper and more evenly exposed. The only catch is the colour balance, which will always be an issue as the colour temp of daylight changes through the day.
Finally, for completeness I got the tripod out of hiding and did this at f20 1/4 sec, 400 ISO
Here is the set used.
To complement that well worn pair of gardening shoes is one of a pair of gardening gloves.
A chance encounter hanging out the washing. Classic rule of thirds composition because it worked.
Important tips when photographing flowers if there is the slightest breeze…
Don’t do it!
Okay, sometimes that isn’t a choice so you can improve your chances with this advice.
- Try and secure the stem to save reframing the image every few seconds.
- Assume your depth of field is insufficient and increase it by at least two stops, especially as you get within an arm’s length of your subject. f5.6 won’t deliver the sharpness that f16 will at that distance.
- Keep your shutter speed high to avoid blur. More wind equals higher shutter speed.
- Assuming you do steps 2 and 3, raising the ISO on your camera is the only way to have both.
- Never assume the focal point you chose will be what you end up with. Try and wait for the breeze to back off then press the shutter button.
Here is the same plant on a calmer day…
It’s a sad state of affairs when being stung by a bee is the least of your worries.
Still hurts though..
At some point recently, I passed a milestone of working 35 years and while I have occasionally thought about what retirement could be like I realised that it’s a lot closer now, even if I have to work until I’m 70 to afford it.
This recent New York Times article on Annie Leibovitz caught my attention. I don’t think Annie is planning her retirement anytime soon but why would she?
Listening to some electronica curtesy of Scottish band CHVRCHES (not misspelt!) I always had a soft spot for this genre ever since The Art of Noise released Close to the edit back in 1984. Lauren Mayberry has this delicate child like quality to her voice that isn’t forced and group shows how much a three piece band is capable of.
Collecting odd pieces as I walk around and bringing them back to photograph. This Crow feather reveals more detail the closer I get.
The trick to getting a good exposure of a black subject on a white background? Use manual mode and meter from an 18% grey card to work out the correct settings.